performance notes: https://youtu.be/lOWbHoB6ZN4?t=14m25s After Serra by Jason Eckardt http://www.ensemble21.com/eckardt/home.html Performed by Ensemble 21 Jeffrey Milarsky, conductor http://music.columbia.edu/bios/jeffrey-milarsky Purchase score here: http://www.carlfischer.com/shop/after-serra.html Purchase audio here: MODE 137, http://www.moderecords.com/catalog/137eckardt.html Uploaded with permission from Jason Eckardt, Carl Fischer Publishers, and Mode Records Support ScoreFollower: www.scorefollower.com/support Support us on Patreon : https://www.patreon.com/scorefollower Join our community on Discord : https://discord.gg/x2mdqYY

The Silenced is a meditation on those who are muted, by force or by political, economic, or social circumstances, yet still struggle to be heard. While composing the work, I was concerned with the ideas of trauma and self expression during and after an emotionally damaging experience.

Performed live by Jordan Dodson, guitar, Spectrum, New York City, 4 May 2014. "The dramatic tension in Paths of Resistance results from the thwarting and redirection of musical trajectories. Specific structural elements, which remain invariant throughout the work, recur in different and contradictory contexts, forging pathways through the densely polyphonic environment.

Performed live by Mariel Roberts, 'cello, Spectrum, New York City, 4 May 2014. "A way [tracing] takes its title from the opening line of Laura Mullen's 'The Distance (This),' a poem that is set at the conclusion of the Undersong cycle. The present work opens the cycle.

Jason Eckardt : Aperture for ensemble Strasbourg, Musica Festival, september 27th 2012 Ensemble Linea Jean-Philippe Wurtz, conductor Keiko Murakami, flute Yuko Fukumae, clarinet Ermis Theodoraki, piano Maiko Matsuoka, violin Jessica Rona, viola Johannes Burghoff, cello www.ensemble-linea.com

Performed live by Jason Hardink, Spectrum, New York City, 4 May 2014. This work was inspired substantially by W.S. Merwin's prose poem, "Echoes." It reads: E...

Tony Arnold, soprano Dithyramb from Tongues (2001) Jason Eckardt (b. 1971) September 11, 2015 Merkin Concert Hall, NYC Resonant Bodies Festival

Gleb Kanasevich - bass clarinet Stephanie Titus - piano Live performance from visiting artist faculty recital at soundSCAPE Festival in Maccagno, Italy. July 9, 2014 "Beginning in the mid 1990s, the CIA instituted a program of extraordinary rendition, wherein foreign nationals suspected of terrorist activity were detained, without legal process, and then covertly transported to countries where regulations for interrogation were less stringent than those imposed the United States or completely absent.

Filmed live 4 April 2018 at Spectrum, Brooklyn, NY. Videography by Cutting Bird. http://www.ensemble21.com/ https://bridgetkibbey.com/home.html http://www.spectrumnyc.com/site/ https://www.cuttingbird.com/cover/

Filmed live 4 April 2018 at Spectrum, Brooklyn NY. Videography by Cutting Bird. Compression references compressive and positional asphyxia, particularly as a result of police brutality. http://www.ensemble21.com/eckardt/ http://www.williamlang.org/ http://www.spectrumnyc.com/site/ https://www.cuttingbird.com/cover/

Filmed live 4 April 2018 at Spectrum, Brooklyn, NY. Videography by Cutting Bird. http://www.ensemble21.com/ http://www.jordandodson.net/ http://www.spectrumnyc.com/site/ https://www.cuttingbird.com/cover/

Performed live, 20 January 2013, Garner Hall, Salt Lake City, UT.

Performed live, 20 January 2013, Garner Hall, Salt Lake City, UT.

Performed live, 20 January 2013, Garner Hall, Salt Lake City, UT.

Cellist Mariel Roberts presents the world premiere of composer Jason Eckardt’s Red Oak for her House Music Series video. The piece is inspired by Eckardt’s home in the Catskills and is part of his ongoing series of works, A Compendium of Catskill Native Botanicals. The two artists met in 2011 and have remained friends and collaborators since, working on pieces like A way [tracing], which Roberts performed at Spectrum in 2014. Roberts first became acquainted with Metropolis Ensemble through their performance space at 1 Rivington. It was there that she and her quartet would play concerts, and eventually, she met Metropolis there, too. One of her favorite performances with the group was an outdoor concert as part of Celebrate Brooklyn at Prospect Park, where Metropolis played with singer-songwriter Emily Wells. The House Music Series presented itself this year as the perfect place to give the world premiere of Red Oak. Roberts and Eckardt had been talking about creating a piece together for years, and it was finally finished this past summer. Because it wouldn’t get an in-person premiere in the near future due to the ongoing COVID-19 pandemic, Roberts thought a video was the perfect place to bring it to life. In addition to the musical nature of their collaboration, both Eckardt and Roberts have particular interest in the environment, advocating for wildlife and forest preservation in their spare time. Red Oak is an ode to nature and dedicated to Eckardt’s beloved dog, Gretel, who recently passed away. -- Vanessa Ague

BUGALLO-WILLIAMS PIANO DUO Helena Bugallo & Amy Williams Microludes for György Kurtág Gare du Nord Basel, 22.05.2017

Written on the occasion of Milton Babbitt's 80th birthday. Performed live by pianist Jason Hardink at Spectrum, New York City, 4 May 2014. http://jasonhardink.com/ http://ensemble21.com/

for bodhran or large frame drum Performed by Derek Kwan Staller Center Recital Hall - Stony Brook, NY - 5/16/14

Live performance, 5 November 2015 at Splendor, Amsterdam. flute, Susanne Peters violin, Mariana Hutchinson Siemers viola, Lidwine Dam cello, René van Munster www.oerknal.org

Live performance by Rebekah Heller on the OpenICE series, Abrons Arts Center, New York, NY, 12 September 2015. Video by rKAD. Jason Eckardt: http://www.ensemble21.com/eckardt Rebekah Heller: http://www.rebekahheller.com ICE: http://iceorg.org/ rKAD: http://rosskarre.com/rkad/

Live performance by Lisa Cella, alto flute and Ashley Walters, 'cello at the nief-norf Festival, Knoxville, TN, 7 June 2015. Video by Evan Chapman.

Performed live, 20 January 2013, Garner Hall, Salt Lake City, UT.

Chris Wild, cello Jason Eckardt (b.1971) - Practical Alchemy (2015) Performed at DePauw University on March 28, 2018.

Transience (1999) by Jason Eckardt Jonathan Singer, marimba Elebash Recital Hall, CUNY Graduate Center May 16, 2013

Performed live by Claire Chase, flute, The Kitchen, New York, NY, 2 October 2015 as part III of Density 2036. David Michalek, director Levy Lorenzo, sound design Nick Houfek, lighting design The Silenced is a meditation on those who are muted, by force or by political, economic, or social circumstances, yet still struggle to be heard.

タイトル： Multiplicities (1993) 作曲：ジェイソン・エカート Jason Eckardt 演奏：間部令子 Reiko Manabe (flute)

Performed live by soprano Lucy Dhegrae at Spectrum, New York City, 4 May 2014. "Dithyramb is an excerpt of a larger work, Tongues, which was inspired in part glossolalia, better known as "speaking in tongues": an ecstatic outburst of unintelligible vocal sounds that resembles spoken language.

"Dithyramb" by Jason Eckardt, Stephanie Lamprea, soprano (www.stephanielamprea.com). Thursday, October 22, 2020 Roulette Intermedium www.roulet...

Jason Eckardt - A way [tracing] Ashley Walters, cello wasteLAnd concert series 27 May 2016 ArtShare-LA wastelandmusic.org video by copilot

for solo trombone. world premiere Performed 10/18/2017 at CalArts in the Wild Beast Concert Hall

"Dithyramb" for solo voice from Tongues Composer: Jason Eckardt Stephanie Lamprea, voice www.stephanielamprea.com Gallery 263, Cambridge, MA Videography by Nicole Parks

Live performance at Darmstadt, Germany 23 July 2018 as part of #DramaQueen. The Silenced is a meditation on those who are muted, by force or by political, economic, or social circumstances, yet still struggle to be heard. While composing the work, I was concerned with the ideas of trauma and self expression during and after an emotionally damaging experience.